Einen generellen Überblick über die Garritan-Instrumentenklänge, die in Finale enthalten sind, lesen Sie Garritan-Instrumente für Finale.
Fett angezeigte Instrumente sind neue Instrumente in der Bibliothek der Garritan-Instrumente für Finale.
Tonumfänge der Instrumente
In der folgenden Liste finden Sie für jedes der mitgelieferten Instrumente der Garritan-Instrumente für Finale (GIFF) die Tonumfänge. Töne, die außerhalb des spielbaren Tonumfangs liegen, werden nicht klingen, wenn GIFF als Wiedergabegerät gewählt ist. Die Instrumente sind hier nach den Kategorien sortiert, wie sie im ARIA Player erscheinen, nicht so wie in Finales Dokument-Assistent oder der Partiturverwaltung. Der Tonumfang ist hier so wie im ARIA Player sichtbar bezeichnet. Siehe Den richtigen Garritan-Klang auswählen („Spieler“ versus „Solo“-Instrumente)
001. Woodwinds
| GIFF-Instrument | Tonumfang |
| Alto Flute Solo | G3-C7 |
| Bass Flute Solo | C3-E5 |
| Flute Plr1 | B3-D7 |
| Flute Plr2 | B3-D7 |
| Flute Plr3 | B3-D7 |
| Flute Solo | B3-D7 |
| Piccolo Solo | D5-C8 |
| English Horn Solo | E3-C6 |
| Oboe D'Amore Solo |
A 3-F6 |
| Oboe Plr1 |
B3-G6 |
| Oboe Plr2 |
B3-G6 |
| Oboe Plr3 |
B3-G6 |
| Oboe Solo |
B3-G6 |
| Bass Clarinet Solo | B1-F5 |
|
B Clarinet Plr1 |
D3-G6 |
|
B Clarinet Plr2 |
D3-G6 |
|
B Clarinet Plr3 |
D3-G6 |
|
B Clarinet Solo |
D3-G6 |
| Contrabass Clarinet Solo | C1-F#3 |
| E Clarinet Solo |
G3-G6 |
| Bassoon Plr1 |
B1-E5 |
| Bassoon Plr2 |
B1-E5 |
| Bassoon Plr3 |
B1-E5 |
| Bassoon Solo |
B1-E5 |
| Contrabassoon Solo |
B0-G#3 |
002. Brass
| GIFF Instrument | Tonumfang |
|---|---|
| French horn Plr1 | D2-F5 |
| French horn Plr2 | D2-F5 |
| French horn Plr3 | D2-F5 |
| French horn Solo | D2-F5 |
| Piccolo Trumpet Solo | D4-C7 |
| Trumpet Plr1 | F#3-F6 |
| Trumpet Plr2 | F#3-F6 |
| Trumpet Plr3 | F#3-F6 |
| Trumpet Solo | F#3-F6 |
| Bass Trombone Solo |
B0-C5 |
| Trombone Plr1 | E2-F5 |
| Trombone Plr2 | E2-F5 |
| Trombone Plr3 | E2-F5 |
| Trombone Solo | E2-F5 |
| Tuba 2 Solo | B0-G4 |
| Tuba Solo | E1-G4 |
003. Percussion
| GIFF-Instrument | Tonumfang |
|---|---|
| Crotales | C4-C5 |
| Glockenspiel | G5-C8 |
| Handbells KS | C3-C8 |
| Marimba | G2-G7 |
| Orchestral Toms | C3-F5 |
| Temple Blocks | C2-F5 |
| Timpani KS | C2-A3, C4-A5 |
| Tubular Bells | C4-G5 |
| Xylophone | F4-C8 |
004. Harp
| GIFF-Instrument | Tonumfang |
|---|---|
| Harp 2 KS | C1-G7 |
| Harp 2 KS (harmonics) | C3-C7 |
| Harp KS (sustain) | C1-G7 |
| Harp KS (harmonics) | C3-C7 |
005. Keyboards
| GIFF-Instrument | Tonumfang |
|---|---|
| Celesta | C4-C8 |
| Concert D Grand Piano | A0-C8 |
| Glass Harmonica | C4-G7 |
| Harpsichord | F1-E6 |
| Steinway Piano | A0-C8 |
006. Pipe Organ
| GIFF-Instrument | Tonumfang |
|---|---|
| Baroque Plenum | C2-G6 |
| Baroque Plenum Pedal | C1-G3 |
| Baroque Plenum Reeds | C2-G6 |
| Church Organ | C1-C8 |
| Church Organ 2 | C2-G6 |
| Hauptwerk All Stops | C2-G6 |
| Pipe Organ - Flutes | C2-G6 |
| Prinzipal | C2-G6 |
| Utility Organ | C0-C8 |
007. Solo Strings
| GIFF-Instrument | Tonumfang |
|---|---|
| Violin Plr1 | G3-D7 |
| Violin Plr2 | G3-D7 |
| Violin Plr3 | G3-D7 |
| Violin Solo | G3-D7 |
| Violin Solo KS 1 | G3-D7 |
| Violin Solo KS 2 | G3-D7 |
| Violin Solo KS 3 | G3-C8 |
| Viola Plr1 | C3-C7 |
| Viola Plr2 | C3-C7 |
| Viola Plr3 | C3-C7 |
| Viola Solo | C3-C7 |
| Viola Solo KS | C3-C7 |
| Cello Plr1 | C2-C6 |
| Cello Plr2 | C2-C6 |
| Cello Plr3 | C2-C6 |
| Cello Solo | C2-C6 |
| Cello Solo KS | C2-C6 |
| Dbl Bass Plr1 | C1-E4 |
| Dbl Bass Plr2 | C1-E4 |
| Dbl Bass Plr3 | C1-E4 |
| Dbl Bass Solo | C1-E4 |
| Dbl Bass Solo KS | C1-E4 |
008. Section Strings
| GIFF-Instrument | Tonumfang |
|---|---|
| Violins 2 Arco | G3-C8 |
| Violins 2 KS | G3-C8 |
| Violins 2 Pizzicato | G3-C8 |
| Violins 2 Tremolo | G3-C8 |
| Violins Arco | G3-D7 |
| Violins KS | G3-D7 |
| Violins Pizzicato | G3-D7 |
| Violins Tremolo | G3-D7 |
| Violas Arco | C3-C6 |
| Violas KS | C3-C6 |
| Violas Pizzicato | C3-C6 |
| Violas Tremolo | C3-C6 |
| Cellos Arco | C2-C6 |
| Cellos KS | C2-C6 |
| Cellos Pizzicato | C2-C6 |
| Cellos Tremolo | C2-C6 |
| Basses Arco | C1-E4 |
| Basses KS | C1-E4 |
| Basses Pizzicato | C1-E4 |
| Basses Tremolo | C1-E4 |
| Full Strings Arco | C1-D7 |
| Full Strings KS | C1-D7 |
| Full Strings Pizzicato | C1-D7 |
| Full Strings Tremolo | C1-D7 |
009. Choir
| GIFF-Instrument | Tonumfang |
|---|---|
| Children Aahs | G3-C6 |
| Choir Aahs | C2-D6 |
| Choir Oohs | C2-D6 |
| Full Choir KS | C2-C6 |
010. World
| GIFF-Instrument | Tonumfang |
|---|---|
| Alto Recorder | C4-G7 |
| Balalaika | G3-C7 |
| Balaphon | C2-C7 |
| Bandoneon | C3-C7 |
| Banjo | G2-G6 |
| Bottle Blow | C2-G4 |
| Celtic Harp | C2-C7 |
| Clarke Pennywhistle | C4-C8 |
| Concert Accordion | C2-G6 |
| Dulcimer | G2-C6 |
| Fiddle | G3-G7 |
| Fife | C4-C8 |
| Highland Bagpipes | C2-E5 |
| Irish Flute | C3-C7 |
| Italian Musette Accordion | C2-C6 |
| Kalimba | C2-C6 |
| Koto | G2-G6 |
| Mandolin | G3-C7 |
| Melodica | C3-C7 |
| Ocarina | G4-C7 |
| Peruvian Panpipes | C5-C8 |
| Pipa | C2-C7 |
| Shakuhachi |
C 3-G6 |
| Shamisen | C2-F6 |
| Shenai | C3-C7 |
| Sitar | C2-C6 |
| Soprano Recorder | G4-G7 |
| Steel Drums | G1-G6 |
| Tenor Recorder | G3-G6 |
| Uilleann Bagpipes | C2-B2, G3-G6 |
| Ukulele | C3-G6 |
| Washtub Bass | C2-C4 |
011. Jazz
| GIFF-Instrument | Tonumfang |
|---|---|
| Acoustic Guitar KS | A1-C6 |
| Alto Sax |
D3-F6 |
| Bari Sax | C2-C5 |
| Electric Guitar KS | E2-C6 |
| Flugelhorn | E3-C7 |
| Jazz Fretless Bass KS | B0-G5 |
| Jazz Fretted Bass KS | B0-G5 |
| Soprano Sax |
A3-F6 |
| Tenor Sax |
A2-C6 |
| Trombone KS | E2-C6 |
| Trumpet KS | E3-C7 |
| Upright Bass KS | D1-C5 |
| Vibraphone KS | F3-F6 |
| Vintage Electric Piano | E1-E7 |
012. Band
| GIFF-Instrument | Tonumfang |
|---|---|
| Alto Sax Section |
D3-A6 |
| Baritone Section | E2-F5 |
| Brass Section | E2-F7 |
| Clarinet Section |
C3-C7 |
| Euphonium Section | E1-F5 |
| Euphonium Solo | E1-F5 |
| Flute Section | B3-G7 |
| French Horn Section KS |
E1-
B5 |
| Mellophone Section |
B1-F5 |
| Sousaphone Section |
B0-F4 |
| Tenor Sax Section |
G2-C6 |
| Trombone Section | E2-G5 |
| Trumpet Section |
E3-B6 |
013. Tapspace Percussion (Pitched Percussion)
| GIFF-Instrument | Tonumfang |
|---|---|
| VDLite Chimes | C4-G5 |
| VDLite Glockenspiel | F3-C6 |
| VDLite Marimba | C2-C7 |
| VDLite Timpani | C2-C4 |
| VDLite Vibraphone | F3-F6 |
| VDLite Xylophone | F3-C7 |
014. GM (General MIDI)
| GIFF-Instrument | Tonumfang |
|---|---|
| Electric Bass (finger) | C0-E7 |
| Electric Bass (pick) | C0-A6 |
| Slap Bass | B0-G4 |
| Synth Bass | C0-C8 |
| Music Box | A0-C8 |
| Synth Strings 1 | A0-C8 |
| Synth Strings 2 | A0-C8 |
| Synth Voice | A0-C8 |
| Acoustic Guitar (nylon) | C0-C8 |
| Clean Guitar | B1-E6 |
| Distortion Guitar | B1-E6 |
| Electric Guitar (muted) | C0-C8 |
| Overdrive Guitar | B1-E6 |
| Steel Guitar | B1-E6 |
| Drawbar Organ | C0-C8 |
| Percussive Organ | C0-C8 |
| Reed Organ | C0-C8 |
| Rock Organ | C0-C8 |
| Steel Drums | C0-C8 |
| Tinkle Bell | A0-C8 |
| Bright Acoustic Piano | C0-C8 |
| Clavi | C0-C8 |
| Electric Grand Piano | C0-C8 |
| Electric Piano 2 | C0-C8 |
| Honky-tonk Piano | A0-C8 |
| FX 1 (rain) | C0-C8 |
| FX 2 (soundtrack) | A0-C8 |
| FX 3 (crystal) | C0-C8 |
| FX 4 (atmosphere) | C0-C8 |
| FX 5 (brightness) | C0-C8 |
| FX 6 (goblins) | C0-C8 |
| FX 7 (echoes) | C0-C8 |
| FX 8 (sci-fi) | C0-C8 |
| Lead 1 (square) | C0-C8 |
| Lead 2 (sawtooth) | A0-C8 |
| Lead 3 (calliope) | A0-C8 |
| Lead 4 (chiff) | A0-C8 |
| Lead 5 (charang) | A0-C8 |
| Lead 6 (voice) | A0-C8 |
| Lead 7 (fifths) | C0-C8 |
| Lead 8 (bass + lead) | A0-C8 |
| Pad 1 (new age) | C0-C8 |
| Pad 2 (warm) | A0-C8 |
| Pad 3 (polysynth) | C0-C8 |
| Pad 4 (choir) | C0-C8 |
| Pad 5 (bowed) | A0-C8 |
| Pad 6 (metallic) | A0-C8 |
| Pad 7 (halo) | A0-C8 |
| Pad 8 (sweep) | C0-C8 |
015. Instant Orchestra
| GIFF-Instrument | Tonumfang |
|---|---|
| Brass - Big Brass Agg | C1-F6 |
| Brass - Full Brass Unison | C1-D6 |
| Brass - Organic Brass | C1-D6 |
| Choir - Ethereal Orchestra | C1-D6 |
| Choir - Full Choir | C2-C6 |
| Choir - Silvery Choir | C2-C6 |
| Mixtures - Delicate Orchestra | C1-C7 |
| Mixtures - Orchestra Power Hits | C3-C6 |
| Mixtures - Supernatural Orchestra | C2-C7 |
| Mixtures - Wagner Orchestra | C1-C7 |
| Strings - Col Legno Full Strings | B1-C6 |
| Strings - Double Octave Full Strings | C2-C6 |
| Strings - Snap Pizz | B0-C7 |
| Winds - Octave Winds Mixed | C2-C6 |
| Winds - Silvery Winds | C3-C8 |
MIDI-Steuerelemente (Controller) der Instrumente
001. Woodwinds
| Instrument | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | VibSpdVibratogeschwindigkeit | ModWhlSteuerung von Lautstärke/Attack/Timbre |
|---|---|---|---|---|---|---|
| Alto Flute Solo | 20 | 21 | 22 | 23 | 1 | |
| Bass Flute Solo | 20 | 21 | 22 | 23 | 17 | 1 |
| Flute Plr1 | 20 | 21 | 22 | 23 | 1 | |
| Flute Plr2 | 20 | 21 | 22 | 23 | 1 | |
| Flute Plr3 | 20 | 21 | 22 | 23 | 1 | |
| Flute Solo | 20 | 21 | 22 | 23 | 1 | |
| Piccolo Solo | 20 | 21 | 22 | 23 | 1 | |
| English Horn Solo | 20 | 21 | 22 | 23 | 1 | |
| Oboe D'Amore Solo | 20 | 21 | 22 | 23 | 1 | |
| Oboe Plr1 | 20 | 21 | 22 | 23 | 1 | |
| Oboe Plr2 | 20 | 21 | 22 | 23 | 1 | |
| Oboe Plr3 | 20 | 21 | 22 | 23 | 1 | |
| Oboe Solo | 20 | 21 | 22 | 23 | 1 | |
| Bass Clarinet Solo | 20 | 21 | 22 | 23 | 1 | |
|
B Clarinet Plr1 |
20 | 21 | 22 | 23 | 1 | |
|
B Clarinet Plr2 |
20 | 21 | 22 | 23 | 1 | |
|
B Clarinet Plr3 |
20 | 21 | 22 | 23 | 1 | |
|
B Clarinet Solo |
20 | 21 | 22 | 23 | 1 | |
| Contrabass Clarinet Solo | 20 | 21 | 22 | 23 | 17 | 1 |
|
E Clarinet Solo |
20 | 21 | 22 | 23 | 17 | 1 |
| Bassoon Plr1 | 20 | 21 | 22 | 23 | 1 | |
| Bassoon Plr2 | 20 | 21 | 22 | 23 | 1 | |
| Bassoon Plr3 | 20 | 21 | 22 | 23 | 1 | |
| Bassoon Solo | 20 | 21 | 22 | 23 | 1 | |
| Contrabassoon Solo | 20 | 21 | 22 | 23 | 1 |
002. Brass
| Instrument | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | VibSpdVibratogeschwindigkeit | ModWhlSteuerung von Lautstärke/Attack/Timbre | Auto-LegatoLegato für überlappende Noten |
|---|---|---|---|---|---|---|---|
| French horn Plr1 | 20 | 21 | 22 | 23 | 1 | ||
| French horn Plr2 | 20 | 21 | 22 | 23 | 1 | ||
| French horn Plr3 | 20 | 21 | 22 | 23 | 1 | ||
| French horn Solo | 20 | 21 | 22 | 23 | 1 | ||
| Piccolo Trumpet Solo | 20 | 21 | 22 | 23 | 17 | 1 | 102 |
| Trumpet Plr1 | 20 | 21 | 22 | 23 | 1 | ||
| Trumpet Plr2 | 20 | 21 | 22 | 23 | 1 | ||
| Trumpet Plr3 | 20 | 21 | 22 | 23 | 1 | ||
| Trumpet Solo | 20 | 21 | 22 | 23 | 1 | ||
| Bass Trombone Solo | 20 | 21 | 22 | 23 | 1 | ||
| Trombone Plr1 | 20 | 21 | 22 | 23 | 1 | ||
| Trombone Plr2 | 20 | 21 | 22 | 23 | 1 | ||
| Trombone Plr3 | 20 | 21 | 22 | 23 | 1 | ||
| Trombone Solo | 20 | 21 | 22 | 23 | 1 | ||
| Tuba 2 Solo | 20 | 21 | 22 | 23 | 1 | ||
| Tuba Solo | 20 | 21 | 22 | 23 | 1 |
003. Percussion
| Instrument | BDfundPegel des Grundtons der Bass Drum | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | ModWhlSteuerung von Lautstärke/Attack/Timbre |
|---|---|---|---|---|
| Basic Orch Percussion | 20 | 22 | 23 | 1 |
| Crotales | 22 | 23 | ||
| Glockenspiel | 22 | 23 | ||
| Handbells KS | 22 | 23 | ||
| Marimba | 22 | 23 | ||
| Orchestral Toms | 22 | 23 | ||
| Percussion Toys | 22 | 23 | ||
| Temple Blocks | 22 | 23 | ||
| Timpani KS | 22 | 23 | ||
| Tubular Bells | 22 | 23 | ||
| Wind Machine | 22 | 23 | ||
| Woodblocks | 22 | 23 | ||
| Xylophone | 22 | 23 |
004. Harp
| Instrument | N/A |
|---|---|
| Harp 2 KS | [no controllers] |
| Harp KS | [no controllers] |
005. Keyboards
| Instrument | N/A |
|---|---|
| Celesta | [no controllers] |
| Concert D Grand Piano | [no controllers] |
| Glass Harmonica | [no controllers] |
| Harpsichord | [no controllers] |
| Steinway Piano | [no controllers] |
006. Pipe Organ
| Instrument | FundLautstärke des Grundtons | FiltLvFilterpegel für die angegebene Filterfrequenz (FiltFq) | FiltfqFrequenz für das mit FlitLv gesteuerte Filter | TrmSpd | TrmAmt |
|---|---|---|---|---|---|
| Baroque Plenum | 20 | 22 | 23 | ||
| Baroque Plenum Pedal | 20 | 22 | 23 | ||
| Baroque Plenum Reeds | 20 | 22 | 23 | ||
| Church Organ | 20 | 22 | 23 | ||
| Church Organ 2 | 20 | 22 | 23 | ||
| Hauptwerk All Stops | 20 | 22 | 23 | ||
| Pipe Organ - Flutes | 20 | 22 | 23 | ||
| Prinzipal | 20 | 22 | 23 | ||
| Utility Organ | 17 | 1 |
007. Solo Strings
| Instrument | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | ModWhlSteuerung von Lautstärke/Attack/Timbre |
|---|---|---|---|---|---|
| [All Solo Strings] | 20 | 21 | 22 | 23 | 1 |
008. Section Strings
| Instrument | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Timbre variability range | ModWhlVariationsbereich des Timbre |
|---|---|---|---|---|---|
| [All] Arco | 20 | 21 | 1 | ||
| [All] KS | 20 | 21 | 22 | 23 | 1 |
| [All] Pizzicato | 21 | 22 | 23 | ||
| [All] Tremolo | 20 | 21 | 1 |
009. Choir
| Instrument | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | ModWhlSteuerung von Lautstärke/Attack/Timbre |
|---|---|---|---|---|---|
| [All Choir Patches] | 20 | 21 | 22 | 23 | 1 |
010. World
| Instrument | BDFundPegel des Grundtons der Bass Drum | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | AirNsLuftgeräusch | BndSpdLänge der Tonhöhenbeugung (Pitch Bend) | FluttrIntensität von Flatterzunge/Growl | ModWhlSteuerung von Lautstärke/Attack/Timbre | FiltLvFilterpegel für die angegebene Filterfrequenz (FiltFq) | FiltFqFrequenz für das mit FlitLv gesteuerte Filter | VibSpdVibratogeschwindigkeit | VibAmtVibrato-Intensität |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Alto Recorder | 20 | 21 | 22 | 23 | 12 | 13 | 18 | 1 | |||||
| Balalaika | 21 | 22 | 23 | 26 | 27 | ||||||||
| Balaphon | 22 | 23 | |||||||||||
| Bandoneon | 21 | 22 | 23 | 26 | 27 | ||||||||
| Banjo | 21 | 22 | 23 | 26 | 27 | 17 | 1 (Mod Wheel) | ||||||
| Basic African Percussion | 21 | 22 | 23 | 26 | 27 | ||||||||
| Basic Chinese Percussion | 21 | 22 | 23 | 26 | 27 | ||||||||
| Basic Indian Percussion | 21 | 22 | 23 | 26 | 27 | ||||||||
| Basic Middle East Percussion | 21 | 22 | 23 | 26 | 27 | ||||||||
| Bodhran | 21 | 22 | 23 | 26 | 27 | ||||||||
| Bottle Blow | 20 | 21 | 22 | 23 | 12 | 1 | 26 | 27 | 17 | Aftertouch | |||
| Celtic Harp | 21 | 22 | 23 | 26 | 27 | ||||||||
| Clarke Pennywhistle | 21 | 22 | 23 | 26 | 27 | ||||||||
| Concert Accordion | 21 | 22 | 23 | 26 | 27 | ||||||||
| Didgeridoo | 21 | 22 | 23 | 26 | 27 | ||||||||
| Djembe | 21 | 22 | 23 | 26 | 27 | ||||||||
| Dulcimer | 21 | 22 | 23 | 26 | 27 | ||||||||
| Ethnic Percussion | 22 | 23 | |||||||||||
| Fiddle | 21 | 22 | 23 | 26 | 27 | ||||||||
| Fife | 20 | 21 | 22 | 23 | 12 | 18 | 1 | 26 | 27 | 17 | Aftertouch | ||
| Gamelan Ensemble KS | 22 | 23 | |||||||||||
| Highland Bagpipes | 21 | 22 | 23 | 26 | 27 | ||||||||
| Irish Flute | 21 | 22 | 23 | 26 | 27 | ||||||||
| Italian Musette Accordion | 21 | 22 | 23 | ||||||||||
| Kalimba | 21 | 22 | 23 | 26 | 27 | ||||||||
| Koto | 22 | 23 | |||||||||||
| Mandolin | 21 | 22 | 23 | ||||||||||
| Melodica | 21 | 22 | 23 | 26 | 27 | ||||||||
| Ocarina | 21 | 22 | 23 | 26 | 27 | ||||||||
| Peruvian Panpipes | 21 | 22 | 23 | 26 | 27 | ||||||||
| Pipa | 21 | 22 | 23 | 26 | 27 | ||||||||
| Rainstick | 21 | 22 | 23 | 26 | 27 | ||||||||
| Shakuhachi | 22 | 23 | |||||||||||
| Shamisen | 21 | 22 | 23 | 26 | 27 | ||||||||
| Shenai | 21 | 22 | 23 | 26 | 27 | ||||||||
| Sitar | 22 | 23 | |||||||||||
| Soprano Recorder | 21 | 22 | 23 | 26 | 27 | ||||||||
| Steel Drums | 21 | 22 | 23 | 26 | 27 | ||||||||
| Tablas | 20 | 21 | 22 | 23 | 26 | 27 | |||||||
| Taiko Drums | 22 | 23 | |||||||||||
| Tenor Recorder | 21 | 22 | 23 | 26 | 27 | ||||||||
| Uilleann Bagpipes | 21 | 22 | 23 | 26 | 27 | ||||||||
| Ukulele | 21 | 22 | 23 | 26 | 27 | ||||||||
| Washboard | 21 | 22 | 23 | 26 | 27 | ||||||||
| Washtub Bass | 21 | 22 | 23 | 26 | 27 |
011. Jazz
012. Band
| Instrument | BDfundPegel des Grundtons der Bass Drum | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | ModWhlSteuerung von Lautstärke/Attack/Timbre |
|---|---|---|---|---|---|---|
| Alto Sax Section | 20 | 21 | 22 | 23 | 1 | |
| Baritone Section | 20 | 21 | 22 | 23 | 1 | |
| Brass Section | 20 | 21 | 22 | 23 | 1 | |
| Clarinet Section | 20 | 21 | 22 | 23 | 1 | |
| Cymbals | 22 | 23 | ||||
| Euphonium Section | 20 | 21 | 22 | 23 | 1 | |
| Euphonium Solo | 20 | 21 | 22 | 23 | 1 | |
| Flute Section | 20 | 21 | 22 | 23 | 1 | |
| French Horn Section KS | 20 | 21 | 22 | 23 | 1 | |
| Marching Percussion | 20 | 22 | 23 | 1 | ||
| Mellophone Section | 20 | 21 | 22 | 23 | 1 | |
| Sousaphone Section | 20 | 21 | 22 | 23 | 1 | |
| Tenor Sax Section | 20 | 21 | 22 | 23 | 1 | |
| Trombone Section | 20 | 21 | 22 | 23 | 1 | |
| Trumpet Section | 20 | 21 | 22 | 23 | 1 |
013. Tapspace Percussion
| Instrument | AttackAttack-Hüllkurvengeschwindigkeit | ReleaseRelease-Hüllkurvengeschwindigkeit | FanLevLautstärke von Vibraphon-Lüfter/Moter | FanSpdGeschwindigkeit des Vibraphon-Lüfters/Motors |
|---|---|---|---|---|
| VDLite BassLine Manual | 26 | 20 | ||
| VDLite Cymbal Line 18in | 26 | 20 | ||
| VDLite SnareLine Manual | 26 | 20 | ||
| VDLite TenorLine Manual | 26 | 20 | ||
| VDLite Chimes | 26 | 20 | ||
| VDLite Glockenspiel (Brass Mallets) | 26 | 20 | ||
| VDLite Marimba (Medium Mallets) | 26 | 20 | ||
| VDLite Timpani (Medium Mallets) | 26 | 20 | ||
| VDLite Vibraphone (Medium Mallets) | 26 | 20 | 21 | 22 |
| VDLite Xylophone (Plastic Mallets) | 26 | 20 | ||
| VDLite Finale Marching Percussion Map | 26 | 20 | ||
| VDLite General MIDI Percussion Map | 26 | 20 |
014. GM (General MIDI)
| Instrument | AttackAttack-Hüllkurvengeschwindigkeit | ReleaseRelease-Hüllkurvengeschwindigkeit | PortaPortamento | LengthSample-Ausklingzeit | Var 1Variationsbereich der Intonation | Var 2Variationsbereich des Timbre | VibSpdVibratogeschwindigkeit | FiltLvFilterpegel für die angegebene Filterfrequenz (FiltFq) | FiltfqFrequenz für das mit FlitLv gesteuerte Filter | HFEQBrillianz |
|---|---|---|---|---|---|---|---|---|---|---|
| Electric Bass (finger) | 20 | 21 | ||||||||
| Electric Bass (pick) | 20 | 21 | ||||||||
| Slap Bass | 18 | 20 | 21 | 22 | 23 | 26 | 27 | 28 | ||
| Synth Bass | 20 | 21 | ||||||||
| Synth Brass | 20 | 21 | ||||||||
| Music Box | 20 | 21 | ||||||||
| Electronic Drum Kit | 22 | 23 | ||||||||
| Synth Strings 1 | 20 | 21 | ||||||||
| Synth Strings 2 | 20 | 21 | ||||||||
| Synth Voice | 20 | 21 | ||||||||
| Acoustic Guitar (nylon) | 20 | 21 | ||||||||
| Clean Guitar | 20 | 21 | 22 | 23 | 17 | |||||
| Distortion Guitar | 20 | 21 | 22 | 23 | 17 | |||||
| Electric Guitar (muted) | 20 | 21 | ||||||||
| Overdrive Guitar | 20 | 21 | 22 | 23 | 17 | |||||
| Steel Guitar | 20 | 21 | 22 | 23 | 17 | |||||
| [All Organ Patches] | 20 | 21 | ||||||||
| Reverse Cymbal | 20 | 21 | ||||||||
| Steel Drums | 22 | 23 | ||||||||
| Synth Drum | 20 | 21 | ||||||||
| Tinkle Bell | 20 | 21 | ||||||||
| [All Piano Patches] | 20 | 21 | ||||||||
| [All Sound Effects Patches] | 20 | 21 | ||||||||
| [All Synth Effects Patches] | 20 | 21 | ||||||||
| [All Synth Lead Patches] | 20 | 21 | ||||||||
| [All Synth Pad Patches] | 20 | 21 |
015. Instant Orchestra
| Instrument | AttackAttack-Hüllkurvengeschwindigkeit | DecayDecay-Hüllkurvengeschwindigkeit | SustainSustain-Hüllkurvengeschwindigkeit | ReleaseRelease-Hüllkurvengeschwindigkeit | LPassTiefpassfilter | HPassHochpassfilter | VibSpdVibrato-Geschwindigkeit | VibAmtVibrato-Intensität | BrightBrillianz | SaturationHarmonischer Reichtum | GM Mode/GPO ModeAnsschlagsstärke steuert Lautstärke (GM)/Anschlag (GPO) | Velocity (GM)/Extend (GPO)Anschlagsstärke steuert Lautstärke (GM)/Anschlag (GPO) | DelayDelay für Perkussion | OffsetOffset für Sample-Anschlag (Perkussion) | SpreadPizz-Delay (für Überlagerungen) |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Brass - Big Brass Agg | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | ||||
| Brass - Full Brass Unison | |||||||||||||||
| Brass - Organic Brass | |||||||||||||||
| Choir - Ethereal Orchestra | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | ||||
| Choir - Full Choir | |||||||||||||||
| Choir - Silvery Choir | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | ||||
| Effects - Orchestra Chaos Effects | |||||||||||||||
| Keyboards - Scary Piano FX | |||||||||||||||
| Mixtures - Delicate Orchestra | |||||||||||||||
| Mixtures - Orchestra Power Hits | |||||||||||||||
| Mixtures - Supernatural Orchestra | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | ||||
| Mixtures - Wagner Orchestra | |||||||||||||||
| Percussion - Earth Drums | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | 33 | 34 | ||
| Percussion - Vintage Sci-Fi Bowed Percussion | |||||||||||||||
| Strings - Col Legno Full Strings | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | 33 | |||
| Strings - Double Octave Full Strings | |||||||||||||||
| Strings - Snap Pizz | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | 33 | |||
| Strings - Strings Tuning and FX | |||||||||||||||
| Winds - Octave Winds Mixed | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 | ||||
| Winds - Silvery Winds | 20 | 21 | 22 | 23 | 25 | 26 | 17 | Aftertouch | 27 | 24 | 104 |
KeySwitch-Auslöser der Wiedergabestilistik
Noteman sagt: Eine Vortragsbezeichnung, die Sie mit einer Wiedergabestilistik wiedergeben möchten, sollte keine Wiedergabedefinition enthalten - die Wiedergabestilistik beachtet nur den Text. Achten Sie darauf, dass in der Dialogbox „Design von Vortragsbezeichnungen“ unter „Modus“ die Option „Keiner“ ausgewählt ist. Die Vortragsbezeichnung sollte auch instrumentspezifisch sein (z. B. aus der Kategorie „Spieltechnik“).
Jedes Instrument, das „KS“ in seinem Namen enthält (angezeigt in der Partiturverwaltung oder im Aria-Player) enthält Klänge mit mehreren Spieltechniken für dieses Instrument. Alle „KS“-Saiteninstrumente können z. B. als Arco (gestrichen), Pizzicato (gezupft) oder Tremolo (schnell wiederholt) ausgeführt werden. Sofern die Wiedergabestilsitik aktiv ist, können Vortragsbezeichnungen oder Intelligente Zeichen mit Text verwendet werden, um den KeySwitch auszulösen. Alternativ können Sie Keyswitches auch manuell auslösen - siehe Keyswitches als Vortragsbezeichnung hinzufügen.
Die folgende Liste zeigt die Angaben, die zum Ändern des Wiedergabeklangs eines GIFF-Instruments, welches KeySwitches unterstützt, verwendet werden können. Keyswitches befinden sich für alle Instrumente in der untersten Oktave der MIDI-Definition, weit unterhalb des Tonumfangs des jeweiligen Instruments.
| Instrumenten- name | Keyswitch | MIDI- Note | Auslösender Text |
| Timpani KS | Full decay (l.v.) | 0 | Nicht markierte Note |
| Damped | 2 | Vortragsbezeichnung oder Intelligente Linie mit Text: "damped", "damp.", "dampen", "étouffé", "étouffés", "étouffées", "étoufféz", "dämpfen", "velare", "coprire" | |
| Harp 2 KS | Chromatic harp | 0 | |
| Glissando harp | 2 | ||
| Harp harmonics | 4 | ||
| Harp KS | Sustain (ordinaro) | 1 | Nicht markierte Note |
| Hand stop | 2 |
Vortragsbezeichnung
oder Intelligente Linie mit Text: "damped", "damp", "dampen", "stopped", "étouffé", "étouffés", "sons étouffés", "étoufféz", "dämpfen", "velare", "coprire", "sec", "secco",  ,  ,  ; Artikulation:  ,  ,  |
|
| Harmonics | 3 |
Artikulation:  ,  |
|
| Harmonics hand stop | 0 | "dampen" etc. plus Flageolett-Artikulation | |
| All KS Solo Strings and Section Strings | Sustains (arco) | 0 | Vortragsbezeichnung: "arco", "ord.", "ordin.", "natural", "nat.", "normal", "normale", "coll’arco", "con l’arco", "col arco", Bog.", "Bogen" |
| Pizzicato | 5 | Vortragsbezeichnung: "pizz.", "pizzicato", "pizzicati" | |
| Tremolo | 7 |
Artikulation:  |
|
| Full Choir KS | Ahhs | 0 | |
| Oohs | 2 | ||
| Gamelan Ensemble KS | Gamelan sustain | 0 | |
| Gamelan short | 2 | ||
| Acoustic Guitar KS (Jazz) | Plucked | 0 | |
| Open strings | 1 | ||
| Harmonics | 2 | ||
| Electric Guitar KS (Jazz) | Plucked | 0 | |
| Open strings | 1 | ||
| Harmonics | 2 | ||
| Jazz Fretted Bass KS | Plucked | 0 | |
| Harmonics | 2 | ||
| Trombone KS (Jazz) | Regular sustains | 0 | |
| Straight mute | 2 | ||
| Cup mute | 4 | ||
| Harmon mute | 5 | ||
| Bucket mute | 7 | ||
| Trumpet KS (Jazz) | Regular sustains | 0 | |
| Straight mute | 2 | ||
| Cup mute | 4 | ||
| Harmon mute | 5 | ||
| Bucket mute | 7 | ||
| Upright Bass KS (Jazz) | Plucked | 0 | |
| Open strings | 1 | ||
| Vibraphone KS (Jazz) | Hard mallets | 0 | |
| Soft mallets | 2 | ||
| French Horn Section KS | Open | 0 | |
| Straight Mute | 2 |
Siehe auch:
MIDI-Tabellen für Perkussion: Garritan-Instrumente für Finale
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